Just tell me you’ve seen something as amazing as this. Go on. No really, I’d love to know!
The Clock Clock by Humans Since 1982
Just tell me you’ve seen something as amazing as this. Go on. No really, I’d love to know!
The Clock Clock by Humans Since 1982
Tired of playing Armagetron and wishing you had your very own Light Cycle to blaze a solid trail through cyberspace on? Wish no more! At least, wish a little less.
You won’t be cruising the innards of any computers on this baby, but you can definitely cruise the streets. As long as you’ve got a spare $35,000 USD, you can pick one up on eBay right now.
If you feel like buying me one for Christmas, I’m completely okay with that.
[HT @bluerandom via Technabob via Geekologie]
If there are better ceiling lights than these, I don’t know what they are – though I’m willing take take suggestions.
Designer Jake Phipps came up with these classy creations a little while back, and I hope was duly rewarded for bringing a bit of dapper to the lighting scene. He calls them the Jeeves & Wooster – click through for cultural reference.
Honestly, is there anything a distinguished hat isn’t good for? If you’ve got some other well designed or wacky hat uses, or lighting solutions, it would be great to see them in the comments!
If you’re reading this blog you’re probably a tech, or design nerd of some kind, and if you’re a nerd there’s a pretty high chance you’ve wasted (read: appropriately utilised) a good portion of your time playing Street Fighter in its various incarnations. Regardless of whether or not that’s a broad generalisation, these Street Fight iPhone covers are totally rad.
Click to see that exact same picture, but larger.
Oh, and enjoy this video.
Personally, if I wielded an iPhone in my daily life, I’d have a hard time not purchasing anything that made it look like Ryu. Got a favourite?
[Source: Capsule Computers Australia]
We haven’t blogged about this here yet, and given all the tablet-like devices we’ve covered over the last couple of weeks (iPad mania? Maybe.) why not add Microsoft’s possible entry into the fray.
The Courier appears to sit somewhere between a smartphone, PDA, the current imaginings of a tablet and… a book. It may sound odd, but if you can see the picture below, you’ll notice just how enticing this might be to certain creative folk, myself included.
Notice the menu on the left hand page, sketching. Sure, reading, playing, all of that is great – but for someone who loves to draw, and loves to draw on the go, this is some kind of dream come true. It hasn’t come true yet, but it looks to be on the way. This concept is intended for both touch and stylus, recognising (much like this) that touch is great for some things… but for others, it’s honestly best to have another tool in hand.
Not all fancy new devices have to come in iPad/Slate/Tablet form, and the idea of a digital note/sketchbook complete with camera and mobile web capabilities is a fantastic step into an innovative, digital future. Better yet, it should fit in your pocket.
Now the Photoshoppers among us are all very familiar with the Clone tool. Need to remove stuff from an image? Clone tool’s got your back.
Imagine if it was a little smarter. Imagine it knew how to get rid of things you just pointed out it it.
Adobe Labs teases us with this video demonstration of how we might tidy our images… in the FUTURE.
Hat tip to @VinnyCaravella and @dannyodwyer
The almighty animated GIF has come along way over the years.
David Dope and his funky visual china town blog has a whole collection of GIFS that will slowly put you into a hypnotic trance.
A tip O’ the hat to you Mr. David Dope (even though your name sounds like an alter ego like Beyonce’s Sasha Fierce and Prince’s short lived Camille‘.)
Catch a glimpse on our blog now because this bad-boy is coming down soon so other articles can be read in comfort (it’s a bit of a challenge to view anything else on the page lol).
Designer Michael Deal embarks on an impressive if not somewhat obsessive effort to illustrate the work of The Beatles in infographics.
Here’s an example showing the musical key distribution of their albums and a conclusion that on average they played mostly in a major key:
Looks kind of like Magical Mystery Tour had the most minor key of any of them. Wasn’t that their least popular album? Coincidence?
http://www.mikemake.com/media/72772/Keys2.5-webfull_o.gif
Other samples here:
http://mikemake.com/#72772/Charting-the-Beatles
The relationship between music and graphics begins with musical notes on paper ahead of a recording session. Interesting to see graphics at the other end.
HT Flowing Data
There’s a sea of portfolio sites out there. Of the best ones there are many that look great but don’t stray far from the typical interface design frameworks and information architecture.
Here’s a collection of five seriously impressive efforts to innovate, take chances, do something unique, delight and surprise… Great stuff.
1. Wonderwall Inc. – www.wonder-wall.com
This Japanese interior design firm presents their work via a sproingy, elastic, 3D, slightly off the grid mosaic interface. It’s just fun to play with and tightly executed. It’s not a facade, either – the transitions and detail views are well thought through.
2. Resn – www.resn.co.nz
Not a new site, but if this New Zealand based creative agency ever changes their portfolio I look forward to seeing how they plan to improve on it. The imagination behind the navigation rollover effects and the presentation of the work in the portfolio section are inspiring. Use of full bleed background imagery and subtle audio really surround the visitor. Great balance of creativity and usability.
3. thetoke – www.thetoke.com
Slick, clean, technical. Slightly ambiguous concept around the identity and the intro, but it all makes for good eye candy. Play with the viewing modes in the top right hand corner to see cool applications of 3D in Flash.
4. bio-bak – www.bio-bak.nl
Wow. Also been around a while but something truly bizarre. It’s a game. The object is to find the site’s navigation. This site has balls. And they’re hairy and badly drawn.
5. Futuretainment – www.futuretainment.com
Ok, so it’s a book launch, not a portfolio, but it’s classic Frost and fits beautifully with the others for a range of inspiration on how to simultaneously provide a stage and set a tone.
Enjoy!
Designing to a theme is an effective way of innovating in visual design. Two examples of this from Amnesia Razorfish’s portfolio are Smirnoff Mule (1940’s film noir murder mystery)…
…and ninemsn’s Friend Magnet (mid 20th century carnival fun house).
Senior Art Director Toby lead the charge to bring these two visual themes to life for our clients.
With that in mind, here’s a theme I like found on Behance: The Rolling Stones on vacation in Cuba in the early 70’s.
Why not?
http://www.behance.net/Gallery/What-Comes-Around-Goes-Around-Print-Collateral/308426
“What is it about animation, graphics, illustrations, that create meaning?”
Information designer Tom Wujec looks at how the brain processes ideas and points out three guidelines for conveying ideas. Three guidelines that happen to completely validate the realm of visual communication.
Follow the interactive transcript here on TED.com…
The man who puts the Klein in Kleinmania (one of our senior designers here) was interviewed by The Publics.
“Kerning is an interesting process because it can be very time consuming and it’s usually invisible, as in you only notice it when it’s bad … To my knowledge nobody has ever died from poor kerning.”
Read the interview: http://pblks.com/2009/07/the-worlds-smallest-mania/
Kleinmania on Tumblr: http://kleinmania.tumblr.com/
I just finished reading a really well put together article on Six Revisions about how to go about getting ahead of the design game in these tough times. with so many designers going out on their own there are a few things author/designer/developer Aaron Irizarry thinks we should focus on.
From collaboration to hitting the books to really just wanting to do what you do, the article is a good little way to get your mind back on track and think about why we became designers in the first place and what we want to get out of our careers.
While the article focuses on designers it’s a good read and pertinent advice for most of us.
At our 2009 Open Studio event I gave a short seminar about first time online portfolios. Here’s a recap of the points made:
1. Don’t reinvent the wheel (unless you’re looking for work
reinventing wheels)
A lot of effort is spent building portfolio sites from the ground up. Unless you’re specifically aiming to show off your ability to design and build a portfolio site (and are confident you can do this in a way that competes with the free industry standard options available) you might consider using some easier options to save time and assure a usable, professional presentation.
Here’s just one example of an off the shelf solution to the portfolio problem: Create your own free portfolio with bells and whistles at Krop’s Creative Database: www.krop.com/creativedatabase
Another simple option is to take advantage of the browser scroll bar. As long as the work is clearly displayed there’s nothing really wrong with a long scrolling page for displaying content. Works for blog posts all the time. Here’s an example: http://samegoes.com/
2. It’s about the content
What do these two objects have in common?
Aside from the fact that both of them are contexts for the presentation of visual communication, they’re both relatively minimal. Again, unless it’s really important that you demonstrate an ability to redefine the packaging your work sits in, remember the advice of erring on the side of minimal so the content jumps out.
(One exception to this that comes to mind which works well is the portfolio of a digital senior creative we’ve worked with where you have to play pong and then choose the correct holy grail from the fakes to enter the portfolio. 🙂 It works because the nature of the intended role is one of redefining the rules. And it was well executed. Risky but good.)
3. Edit and organise
There’s a natural tendency to want to include everything you’ve ever done. Sometimes a review can be going well and then one piece triggers a feeling of ‘wow, how did that wind up in here? It was going so well.’ Edit your main portfolio down to your strongest work, even if it’s not that many pieces. It’s always acceptable to have additional categories off the main area (additional albums, essentially) for displaying backup examples if the reviewer wants to drill down.
Consider leading with your strongest work and wrapping up with your second strongest to start and end with best impressions.
4. Know your objective
Know what type of work you’re going for ahead of creating your portfolio so you don’t wind up with something lacking focus. It shows.
Knowing your objective will also help you identify your intended audience which will help you make decisions when you edit your work, and when you choose your presentation platform.
Think of your portfolio as a stage. The moment before it’s reviewed is like the moment before the curtain opens. Your audience really doesn’t know what to expect.
In this context, here are three example objective and material pairs to consider:
5. Get the metadata right: what was the brief and what was your role?
It’s important for reviewers to know A) what the problem your work is addressing is for any given piece, and B) what exactly your role on a particular project was.
It’s best when this information is clear, concise, consistently structured and easy to scan.
——
Feel free to comment if you’ve got any questions or ideas on these tips.
Here’s a related blog post from ANidea: 10 Tips for Landing an Interactive Design Job
Well, perhaps not so much… but whatever the future holds, it’s big things for photographer and illustrator Hubert Blanz.
Check out some of his wonderful works here.
Our friends at Logo Critiques have created a wonderfully simple straight to the point list of mistakes designers (and clients) make when designing a logo and new identity.
It makes for a quick and insightful read.
*Note: As lovely as it is, Amnesia Razorfish DID NOT design this logo. You can see the actual logo in use here.
Interesting article for designers from Information Architects Japan on the topic of information design and typography. Helpful for designers who struggle with getting past the visual aspect and into the information being communicated.
http://informationarchitects.jp/the-web-is-all-about-typography-period/
Incidentally, IA’s 4th web trends map is in beta. Amazing visualisation effort which makes a fascinating poster.
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